{"id":1627,"date":"2012-11-10T15:32:07","date_gmt":"2012-11-10T14:32:07","guid":{"rendered":"http:\/\/www.artzoomconnection.com\/lo\/?page_id=1627"},"modified":"2021-10-27T04:48:47","modified_gmt":"2021-10-27T03:48:47","slug":"demarche","status":"publish","type":"page","link":"https:\/\/artzoomconnection.com\/dumont\/presentation\/demarche\/","title":{"rendered":"D\u00c9MARCHE"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_3 1_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\" style=\"transform:translate3d(0,0,0);\"><h4>TECHNIQUE<\/h4>\n<p>Acrylique sur toile (techniques mixtes)<br \/>\ntravaill\u00e9 principalement au pinceau et au couteau \u00e0 peindre<\/p>\n<\/div><div class=\"fusion-text fusion-text-2\" style=\"transform:translate3d(0,0,0);\"><p><img src=\"https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187.jpeg\" alt=\"\" width=\"720\" height=\"960\" class=\"alignnone size-full wp-image-2680\" srcset=\"https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-200x267.jpeg 200w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-225x300.jpeg 225w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-400x533.jpeg 400w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-500x667.jpeg 500w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-600x800.jpeg 600w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187-700x933.jpeg 700w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/84D27950-611F-4A25-8B59-92CE05361187.jpeg 720w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/p>\n<p><img class=\"alignnone size-full wp-image-2681\" src=\"https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC.jpeg\" alt=\"\" width=\"720\" height=\"960\" srcset=\"https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-200x267.jpeg 200w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-225x300.jpeg 225w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-400x533.jpeg 400w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-500x667.jpeg 500w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-600x800.jpeg 600w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC-700x933.jpeg 700w, https:\/\/artzoomconnection.com\/dumont\/wp-content\/uploads\/8991CE2A-8C05-430D-8AB1-BD7D4FAC48EC.jpeg 720w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:33.333333333333% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 3.84%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 5.76%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:33.333333333333% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 3.84%;margin-left : 5.76%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_3 2_3 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-3\" style=\"transform:translate3d(0,0,0);\"><p><span style=\"color: #ff9900;\"><em>ENGLISH VERSION FOLLOW FRENCH VERSION<\/em><\/span><\/p>\n<h4>SON APPROCHE ARTISTIQUE<\/h4>\n<p style=\"text-align: justify;\">L\u2019art de DUMONT \u00e9voque une dualit\u00e9 chez l\u2019humain. Ses personnages expriment une part de lumi\u00e8re et d\u2019ombre, comme les deux c\u00f4t\u00e9s d\u2019une m\u00eame m\u00e9daille. Ils ne sont jamais totalement en pleine lumi\u00e8re, ni jamais totalement en pleine obscurit\u00e9. C\u2019est une m\u00e9taphore de la vie, une r\u00e9alit\u00e9 humaine qu\u2019elle transpose dans sa peinture qui marie abstrait et d\u00e9tails figuratifs. Son travail se construit autant autour des couleurs que de la texture et du mouvement qu\u2019elle donne \u00e0 ses sujets. L\u2019artiste recherche donc d\u2019embl\u00e9e l\u2019\u00e9quilibre \u00e0 travers une certaine intensit\u00e9. Ses personnages sont travaill\u00e9s \u00e0 l\u2019acrylique, en techniques mixtes. Elle utilise du mortier et de l\u2019\u00e9poxy, mais aussi des \u00e9l\u00e9ments int\u00e9gr\u00e9s qui contribuent \u00e0 produire une texture ou un relief particulier. Elle travaille aussi bien au couteau \u00e0 peindre (spatule) qu\u2019au pinceau. \u00abJe partage ma passion pour rendre le monde heureux\u00a0!\u00a0\u00bb, affirme l\u2019artiste qui prend la vie un jour \u00e0 la fois, une marche \u00e0 la fois.<\/p>\n<p style=\"text-align: justify;\">D\u00e8s l\u2019enfance, DUMONT se nourrit d\u2019images, parmi lesquelles il y a celles de Salvador Dali (1904-1989). Plus tard, il y aura celles de CORNO (1952-2016), peintre qu\u00e9b\u00e9coise qui a fait carri\u00e8re \u00e0 New York qui, elle-m\u00eame, a fortement \u00e9t\u00e9 influenc\u00e9e par l\u2019iconographie d\u2019Andy Warhol. DUMONT s\u2019inspire surtout des regards et des formes qu\u2019elle pr\u00e9sente en gros plan, comme la bouche, par exemple, qui est un \u00e9l\u00e9ment tr\u00e8s important dans son iconographie artistique. L\u2019attention du public se fixe sur un \u00e9l\u00e9ment mis en \u00e9vidence dans sa composition. Cet \u00e9l\u00e9ment \u00e9voque des souvenirs ou provoque des \u00e9motions. Par exemple, une bouche ultra pulpeuse, plac\u00e9e au c\u0153ur d\u2019une composition ne laissera personne indiff\u00e9rent. Y aurait-il une intention provocatrice derri\u00e8re cette bouche\u00a0? Une intention s\u00e9ductrice\u00a0? Ou tout simplement un pr\u00e9texte au questionnement pour un public trop habitu\u00e9 \u00e0 situer la femme comme une agente de s\u00e9duction\u00a0?<\/p>\n<p style=\"text-align: justify;\">Le portrait ne date pas d\u2019hier, mais peu importe ses fonctions \u00e0 travers l\u2019histoire de l\u2019art, le mobile commun est la reconnaissance: reconna\u00eetre l\u2019individu dans l\u2019image. Ici, l\u2019artiste utilise le portrait comme pierre angulaire d\u2019une pens\u00e9e de la repr\u00e9sentation articul\u00e9e sur les notions d\u2019imitation, de ressemblance et de traits de personnalit\u00e9. L\u2019image r\u00e9f\u00e8re \u00e0 l\u2019individu auquel elle ressemble. Quels \u00e9chos percevons-nous, en nous-m\u00eames, de ces portraits\u00a0?<\/p>\n<p style=\"text-align: justify;\">L\u2019art de DUMONT est \u00e9galement de nous interroger sur la perception que nous avons de soi, des autres et\u2026 des femmes.<\/p>\n<p><em>D\u00e9marche artistique \u00e9crite par HeleneCaroline Fournier, experte en art et th\u00e9oricienne de l&#8217;art, r\u00e9dactrice sp\u00e9cialis\u00e9e, critique d&#8217;art<\/em><\/p>\n<hr \/>\n<p style=\"text-align: center;\">\u00a0\u2014\u2014 ENGLISH VERSION \u2014 \u2014<\/p>\n<hr \/>\n<h4>HER ARTISTIC APPROACH<\/h4>\n<p style=\"text-align: justify;\">The art of DUMONT evokes a duality in humans. Her characters express a part of light and shadow, like two sides of the same coin. They are never totally in full light, nor are they ever totally in full darkness. It is a metaphor for life, a human reality that she transposes into her painting which combines abstract and figurative details. Her work is built as much around the colours as the texture and movement that she gives to her subjects or topics. Therefore, the artist immediately seeks some balance through a certain intensity. Her characters are painted in acrylic and in mixed media. She also uses mortar and epoxy, she also integrates elements that help to produce a particular texture or relief. She works just as well with a painting knife (spatula) as with a (paint) brush. \u201cI share my passion for making the world happy ! \u00bb, says the artist who takes life one day at a time, one step at a time.<\/p>\n<p style=\"text-align: justify;\">From childhood, DUMONT was nourished by images, including those of Salvador Dali (1904-1989). Later, there will be those of CORNO (1952-2016), a Quebec painter who made a career in New York City who, herself, was strongly influenced by the iconography of Andy Warhol. DUMONT is inspired above all by looks and forms in close-up, such as the mouth, for example, which is a very important element in her artistic iconography. The attention of the public is fixed on an element highlighted in her composition. This element evokes memories or provokes emotions. For example, an ultra pulpy mouth, placed at the heart of a composition will not leave anyone indifferent. Could there be a provocative intention behind that mouth? A seductive intention? Or quite simply a pretext for questioning for a public too accustomed to situating women as an agent of seduction?<\/p>\n<p style=\"text-align: justify;\">The portrait is not new, but regardless of its functions throughout the history of art, the common motive is recognition: to recognize the individual in the image. Here, the artist uses the portrait as the cornerstone of a thought of representation articulated on the notions of imitation, resemblance and personality traits. The image refers to the individual it looks like. What echoes do we perceive, in ourselves, of these portraits?<\/p>\n<p style=\"text-align: justify;\">The art of DUMONT is also to question our perception of ourselves, the perception of others and&#8230; the perception of women.<\/p>\n<p><em>Artistic approach written by HeleneCaroline Fournier, art expert and art theorist, specialist writer, art critic.<\/em><\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-1{width:66.666666666667% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.88%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 3.84%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-1{width:66.666666666667% !important;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 2.88%;margin-left : 3.84%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-1{width:100% !important;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1623,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/pages\/1627"}],"collection":[{"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/comments?post=1627"}],"version-history":[{"count":34,"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/pages\/1627\/revisions"}],"predecessor-version":[{"id":2682,"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/pages\/1627\/revisions\/2682"}],"up":[{"embeddable":true,"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/pages\/1623"}],"wp:attachment":[{"href":"https:\/\/artzoomconnection.com\/dumont\/wp-json\/wp\/v2\/media?parent=1627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}